Prominent Nigerian poet and playwright, Prof. John Pepper Clark, popularly known as J.P.
Clark died on Tuesday at the age of 86.
A statement from the family signed by Prof. C. C. Clark and Mr. Ilaye Clark on behalf of the family said: “The Clark-Fuludu Bekederemo family of Kiagbodo Town, Delta State, wishes to
announce that Emeritus Professor of Literature and Renowned Writer, Prof. John Pepper Clark, has finally dropped his pen in the early hours of today, Tuesday, 13 October 2020.“Prof. J. P.
Clark has paddled on to the great beyond in comfort of his wife, children and
siblings, around him.
“The family
appreciates your prayers at this time.”
Clark was
born on 6th of December 1933 in Kiagbodo to an Ijaw father and Urhobo mother,
Delta State.
Clark
received his early education at the Native Authority School, Okrika
(Ofinibenya-Ama), in Burutu LGA (then Western Ijaw) and the prestigious
Government College in Ughelli, and his BA degree in English at the University
of Ibadan, where he edited various magazines, including the Beacon and The
Horn.
Upon
graduation from Ibadan in 1960, he worked as an information officer in the Ministry
of Information, in the old Western Region of Nigeria, as features editor of the
Daily Express, and as a research fellow at the Institute of African Studies,
University of Ibadan.
He served for
several years as a professor of English at the University of Lagos, a position
from which he retired in 1980. While at the University of Lagos he was
co-editor of the literary magazine Black Orpheus.
In 1982,
along with his wife Ebun Odutola (a professor and former director of the Centre
for Cultural Studies at the University of Lagos), he founded the PEC Repertory
Theatre in Lagos.
A widely
travelled man, Clark had, since his retirement, held visiting professorial
appointments at several institutions of higher learning, including Yale and
Wesleyan University in the United States.
Clark was
most noted for his poetry, including: Poems (Mbari, 1961), a group of 40 lyrics
that treat heterogeneous themes; A Reed in the Tide (Longmans, 1965),
occasional poems that focus on the Clark’s indigenous African background and
his travel experience in America and other places; Casualties: Poems 1966–68
(USA: Africana Publishing Corporation, 1970), which illustrate the horrendous
events of the Nigeria-Biafra war and A Decade of Tongues (Longmans, Drumbeat
series, 1981), a collection of 74 poems, all of which apart from “Epilogue to
Casualties” (dedicated to Michael Echeruo) were previously published in earlier
volumes;
Others are:
State of the Union (1981), which highlights Clark’s apprehension concerning the
socio-political events in Nigeria as a developing nation and Mandela and Other
Poems (1988), which dealt with the perennial problem of aging and death.
Clark’s
dramatic work included Song of a Goat – premiered at the Mbari Club in 1961, a
tragedy cast in the Greek classical mode in which the impotence of Zifa, the
protagonist, causes his wife Ebiere and his brother Tonye to indulge in an
illicit love relationship that resulted in suicide. This play was followed by a
sequel, The Masquerade (1964), in which Dibiri’s rage culminates in the death
of his suitor Tufa.
Other works
include: The Raft (1964), in which four men drifted helplessly down the Niger
aboard a log raft; Ozidi (1966), a transcription of a performance of an epic
drama of the Ijaw people and The Boat (1981), a prose drama that documents
Ngbilebiri history.

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