Winner of the 2013 ANA Prize Prose Fiction, Dike-Ogu Chukwumerije, speaks
on his award-winning novel, Urinchindere, writes AKEEM LASISI
How have people you shared early youth/secondary school life with
reacted to the stories you told in Urichindere?
Many of them see themselves in some characters or they remember that this or
that actually happened. Some of them have asked me, 'But I can't remember this
happening. Did it happen?' And some are certain that a character in the book is
so-and-so in real life.
It's usually like that when you write a story that
mirrors real life. It ends up feeling so familiar to those who lived through the
events that inspired it. In this case, the reaction has been overwhelmingly
positive - a sort of nostalgia for a shared past, with all its side-splitting
laughs and heart-breaking moments.
What informed the title of the book?
I didn't start with the title. I just sat down and began to write the story.
And when I got to the point when I had to give the main character a name, the
first name that jumped into my head was Urichindere. Since the book ended
up being narrated by that character, with the reader experiencing everything
through his eyes, I decided to name the whole back after him when I was done.
Is it an Igbo name? What does it mean?
It is. A more common variant of that name is 'Chidera'. It essentially means
that you can't escape your fate. I'm slightly obsessed with African names; how
they are always pregnant with such poignant philosophies. And, in the light of
the events explored in the novel, I thought a name like Urichindere was
an apt title. Because, sometimes, what's going to happen is what's going to
happen. And the only thing you can really affect is what role you're going to
play in it, or how you're going to respond to it.
How long did it take you to write the novel?
The original story was written in just 10 days. But, as the popular saying
goes, 'There is no great writing, only great re-writing'. So, it took another
four years of rewriting to get it to what it is now.
What was your experience in the course of writing it?
I always enjoy writing. It's such a therapeutic experience for me, because I
get to explore and come to terms with my own emotions as I write. It wasn't any
different with this novel. It made me laugh. Honestly, many times in the course
of writing it, I would stop and just laugh, because boarding school life in
Nigeria, a theme heavily explored in the novel, was so funny. But there were
also times when writing this novel brought me very close to tears.
How did you get into creative writing?
I just wanted to be like my big brother, Che. That's how it all began. He
used to write - still does - beautifully. And as a child, I would read the
things he wrote and want to copy them. So, I did, and started keeping a small
diary of sorts, like him, full of poems, short stories, and philosophical
sayings.
Then I met a friend of his as well, Onesi Dominic, who was a literary
enthusiast too. Between the two of them, they set me off on a path I haven't
stopped walking. So, I still tell people whenever I have the chance - careful
what you say to a little child; they just might believe every word of it.
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