In 1948, while Egbaland
quaked under the yoke of a massive revolt spearheaded by Chief (Mrs.) Funmilayo
Ransome-Kuti against the imposition of taxation on women by the Egba monarchy
under the Alake, Oba Oladapo Samuel Ademola and allegations of impropriety in
the use of these taxes, one small lad of about ten years resided inside the
Egba palace whose life trajectory was going to be affected by the uprising.
The young lad who lived in
the palace as the non-violent protest raged was Lamidi Olayiwola Adeyemi.
Unknown to many, even at a tender age, young Obajuwonlo – the palace cognomen
that young Lamidi was given in the ancient palace of his father, the Alaafin of
Oyo, Oba Adeniran Adeyemi – was sure he would one day ascend the throne of his
forefathers back in Oyo. Two early tutelages, one in the palace of the late
Alake of Egbaland, Oba Ademola and another one in Lagos in the home of Sir
Kofoworola Adekunle Abayomi and his wife, Lady Oyinkansola, remain indelible in
the heart of the man who would be one of the most famous traditional rulers in
Africa.
None of the princes of Oba
Adeyemi stayed in the palace. He sent his children away from the palace, into
the homes of people who were struggling with life, to do menial jobs and
confront the rigour of life. According to Oba Adeyemi, his father abhorred
indulgent princes and chose to have his children scoop life lessons that
moulded great men outside the power and glory of the palace. For instance,
while young Lamidi trained as an Islamic cleric in Iseyin, he also underwent
tutelage in Oyo under a disciplinarian and an Anglican school teacher, Pa
Olatoregun, an Anglican school teacher. In the palace of Egba, Lamidi had his
early education at the Ake Palace Elementary School.
The oppressive tax regime
had given birth to the Abeokuta Women’s Union (AWU) which Ransome-Kuti, a head
teacher of a local school, spearheaded. She had galvanized a political
organization into place with the inputs of working-class market women and
middle-class women under the same umbrella to fight the colonial rule structure
which midwifed the oppressive tax regime. She also sought to fight the reigning
patriarchal nature of society which ensured that this oppression was not
censured. The refusal of many of the women living in Abeokura and its environs
to pay the tax had landed them either in jail or their being made to pay fines.
Ransome-Kuti and her crew in AWU bombarded the colonial office with petitions
against the Alake and the Resident between August 1946 and May 1947.
When the women delegation
met with the Alake on October 5, 1946, still, no respite came, culminating in
the final decision by the Alake to increase the flat rate tax on women, with
the active connivance of the Resident. This led to mass protests of about a
thousand women who marched outside the king’s palace with their furious demand
and legendary hate songs against the Alake and demanding the abolishment of
direct taxation in mid-October 1946.
Like the incandescent
Afrobeat songs of her son, the irrepressible Fela, Ransome-Kuti helped compose
a stinging song against the Alake in Yoruba, which translation ran thus: “Idowu
(Alake) you have used your penis as a mark of authority against us for far too
long a time; posturing that you were our husband. Today, however, the table has
turned and we are poised to reverse the equation by deploying our vagina as a
weapon of conquest to play the role of husband on you… O you former men
conquerors, the head of the vagina has sought vengeance.” It was in part a
feminist epistemology.
Rather than be mild on the
women, the Resident furiously tackled the protesting women with the aid of
teargas canisters and beat up the women mercilessly. The protests continued
nevertheless. The women subsequently sent petitions to Britain against the
Resident and Alake and on January 3, 1949, the Alake had to abdicate the throne
after his deposition by the British government. As the Alake abdicated the
crown and left with a tiny entourage out of Egbaland, young Lamidi made up the
small crowd. He had been sent by his father, Oba Adeyemi to his friend, the
Alake to equip him with experiences of other lands and climes, in preparation
for the arduous task of adulthood and possible future Alaafin.
While recalling that
painful departure from the throne by the Alake, Oba Adeyemi said the entourage
immediately proceeded to Osogbo, Osun State, home of the matronly fish river
goddess, where Oba Ademola was to spend the years of his exile. According to
him, as they were arriving Osogbo, the entourage heard a very deep trumpet
miles away welcoming the exiled king into Osogbo. As they savoured the trumpet,
the young Lamidi moved close to the Alake and told him that he was sure that
the firstborn (Aremo) of his father, Oba Adeyemi, Tiamiyu Adebayo Adeyemi, must
be the one behind the trumpet. The Aremo, in those days, said the Alaafin, were
very powerful, had their separate quarters and were indeed almost as powerful
as the king.
Oba Ademola eventually
arrived his quarters where he was to spend his exile years and one of his first
bothers was the future of young Lamidi. His fear was that he would debar the
young boy the opportunity of pursuing his education with the uncertain life
that undergirds the life of an exile. The king immediately communicated this
fear to Aremo Adeyemi, suggesting perhaps that he be returned to Oyo palace
“Kabiyesi, I don’t have the
power to return him to my father, the Alaafin More importantly, Kabiyesi, why
will Lamidi leave you now at this time of trouble? Eyele o ni b’onile je, ko
b’onile mu, ko wa d’ojo ikunle, k’eyele o fo lo (the pigeon will not dine and
wine with its principal and abandon him at his time of travails)
Aremo Adeyemo was said to
have told Oba Ademola. When Alake asked young Lamidi for his view on whether to
leave or stay, the lad merely agreed with his eldest brother and chose to
remain with the troubled Oba Ademola.
According to Oba Adeyemi,
seeing how young Lamidi exhibited precocious qualities and leadership traits,
especially his selfless service to him at such moment of travails, the exiled
Alake called him repeatedly and told him that though he might not be alive to
witness it, he was sure that the boy would rise to be a great man and a
statesman in the nearest future.
As Alaafin recalled in an
interview with me, Oba Ademola’s wife, Olori Wuraola, who lived at No1, Okelewo
Street, Ibara Abeokuta, was his palace mother who equipped him with all the
paraphernalia of royalty, prepared him for the future role as a foremost
traditional ruler in Africa and taught him all that was needed to be a
statesman. She indeed took him through and he learnt from this amazon the rope
of traditional dignifying royalty and kingship. According to the Alaafin, Olori
Wuraola apparently saw into the future and knew that the young Lamidi would
mount the throne of his forefathers. According to the Alaafin, when her
projection eventually came to pass, Olori Wuraola was one of those who visited
him regularly at the palace in Oyo and emboldened him to forge a monarchy that
has no parallel in this clime. “I am an Ake, Ibara man,” Oba Adeyemi proudly
said. “In fact, the present Olubara of Ibara knows me well and my linkage to
the Ake palace.”
However, the travails of
the life of Oba Ademola were so huge that young Adeyemi had to be sent back to
Oyo. There, he scooped up all the paraphernalia of tradition and culture. Still
not wanting him to be in the vicinity of the palace so as not to be spoilt by
the perks of royalty and power, Oba Adeniran again sent the young boy to his
friend, Sir Kofoworola Adekunle Abayomi, the famous doctor in Lagos.
It was while with the
ophthalmologist that he attended the famous St Gregory’s College, Lagos. Born
on July 10, 1896, Abayomi was one of the founding founders of the Lagos Youth
Movement which was founded in 1934 and which was indeed the first political
movement against colonialism. He was elected into the Legislative Council in
1938. Kabiyesi recalled that Abayomi lived on No 2, Ali Street, Tinubu. The
young Lamidi stayed with the ophthalmologist till 1959 when his father, the
Alaafin, was deposed and sent to No 33, Egerton Lane in Lagos.
In 80 years on earth, Oba
Adeyemi has lived up to the futuristic projections of Alake Ademola, Olori
Wuraola and all those who foresaw that he would be a great man. He has
contributed immensely to the jurisprudence of ancient monarchies through his
fecund knowledge and preparedness to scoop knowledge every day. His forte is
that he reads and acquires knowledge every minute.
The Alaafin reels out
folklores, lore and mores of the Yoruba with a baffling exactitude and dances
to the bata drum with the agility of a toddler. One day, Alaafin went to the
domain of another great but young traditional ruler and his palace drummers,
apparently steeped in the rivalry of his host’s stool and the Alaafin’s started
casting aspersions on the Alaafin through the beats of their drums. Even when
the new monarch didn’t understand that a war was being courted through his
drummers, Kabiyesi Alaafin warned the monarch to caution his drummers. He there
and then recounted the messages of the drummers’ rhythm, to the astonishment of
the new monarch.
Alaafin’s contribution to
jurisprudence on palace administration is unparalleled. He is unarguably the
traditional ruler who speaks to governmental power through his pen the most
among past and present Obas. This writer was at a meeting with Kabiyesi and a
Senior Advocate of Nigeria (SAN) one day where the SAN reeled into Oba
Adeyemi’s deep knowledge of law and how he always led his counsels on the
jurisprudential path they should tread in matters that had him as litigant. He
is blessed with a power of recall that is legendary, even in well advanced age.
Professor D. Y. Peel of the University of Cambridge who once visited the
Alaafin at the palace, in company of one of his students, Professor Wale
Adebanwi, was shocked when the Alaafin recounted by rote details of British
history. “Kabiyesi, you are telling me my history!” he was quoted to have
shouted, enthralled.
Here is wishing the Iku
Baba Yeye more years on earth as he celebrates 80 years on the throne of his
forefathers.
Dr. Adedayo is on the
Tribune’s editorial board.
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