According to
the News Agency of Nigeria, NAN, Henshaw, and Oboli both gave the charge during
a panel discussion in a teleconference (Webinar), on Tuesday evening.
Veteran actress,
Kate Henshaw and ace filmmaker, Omoni Oboli, have urged the Federal Government
to accelerate the fight against piracy to enable the creative sector to
contribute more to the country’s economy.
The
teleconference was organised by the World Intellectual Property Organisation
(WIPO), and the Nigerian Copyright Commission (NCC).
It was to
commemorate ‘the entry into force’ of the Beijing Treaty on Audiovisual
Performances, adopted on June 24, 2012.
The event was
titled: “Strengthening Nigeria’s Creative Sector through Improved Rights for
Artistes and Performers.”
The
teleconference, moderated by Ms. Chijioke Okorie, Lead Advisor, Penguide
Advisory, brought together top officers of the NCC, representatives of WIPO,
and stakeholders in the Nigerian creative sector.
Participants
also explored the significance of the Beijing treaty and engaged in discussions
and awareness-raising, on the significance of the new rights enshrined in the
treaty for the creative industry.
According to
Oboli, it is expedient that the Federal Government take urgent steps towards
effectively addressing emerging copyright infringements, particularly at this
digital age.
She said as
Nigeria sought the diversification of its economy, the creative sector was a
major source of revenue, only if the opportunities that abound there were
harnessed through enabling environment.
The filmmaker
said piracy remained a major setback to the growth of the motion picture
industry and therefore called for concerted efforts to fight the menace.
“This is a
sector that can stop Nigeria from going into recession as oil has failed, but
the government needs to protect it.
“Piracy is
our major problem because if my rights are abused as a producer, I am not going
to give my best while the pirates make the bulk of money.
“We are doing
better than before, but we are not making enough money from our works because
the current copyright laws do not capture the digital platforms.
“Almost every
week, I have to write YouTube to take my movie down; unfortunately, most of
these movies are yet to be released, but they are already available online for
free.
“This treaty
is great, and if it is signed into law, the producers and all stakeholders will
be happy,” Oboli said.
Henshaw, on
her part, said that the Beijing Treaty was a timely intervention for the
creative sector, and therefore commended the NCC for championing its
enforcement.
“This is a
treaty that its time has come because we have waited so long for an efficient
intellectual property right management system.
“We need this
law to go to the National Assembly as soon as possible, and we also urge the
Judiciary to effectively do its part,” the veteran actress said.
In his remark,
John Asein, NCC Director-General, said webinar was to provide initial thoughts
on how the balanced application of provisions of the treaty will benefit
Nigeria’s audiovisual sector.
He said that
Nigeria had already taken steps to domesticate the provisions of the treaty as
part of broader reforms of its copyright system.
“Nigeria film
industry ranks amongst the top three globally, and this ranking should
translate to economic benefits and enhanced status for performers who stand
before lights and cameras transforming scripts to action.
“The
commission is particularly concerned about the loss of revenue in the
audiovisual industry.
“It will be
working with the guilds, associations and collective management organisations
in this area, to develop appropriate mechanisms to ensure greater returns on
creative investments.
“This might
also require looking into various aspects of the industry, including engagement
contracts, distribution bottlenecks, online abuses, and rights management
issues,” he said.
Other
stakeholders at the event included Mr Oluwatobiloba Moody, Programme Officer,
WIPO Nigeria Office, Mr. Mahmood Ali-Balogun, Chairman, Audio Visual Rights
Society of Nigeria and Ms. Carole Croella, Senior Counsellor, Copyright Law
Division, WIPO.
The Beijing
Treaty on Audiovisual Performances was adopted by the Diplomatic Conference on
the Protection of Audiovisual Performances, held in the Chinese capital between
June 20 and June 26, 2012.
The treaty
encompasses performances of actors in different media, film and television, and
also includes musicians when their musical performances are recorded on a DVD
or any other audiovisual platform.
It is opened
to states members of WIPO and to the European Union, and grants performers
economic rights in fixed and unfixed performances, as well as certain moral
rights.
The Beijing
Treaty was supposed to enter into force three months after 30 eligible parties
have deposited their instruments of ratification or accession with the
Director-General of WIPO.
It, however,
took about eight years for it to come into force, as the required number of 30
states was only achieved in January 2020.
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